IPERBOLICO
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the need for change
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Looking at these works it almost seems that the frame doesn’t exist or that it becomes an integral art of the pictorial work. The two objects, the frame and the painting, seem to fuse together, one nuencing the other, in an irregular game of perspective in which both elements try to adapt. ere is the concept of “total distorsion”, the breakage of geometrical rules, perspective becoming metaphor of the complete confusion of social rules, the need for change, where everything is rought to an extreme. “Distorsionitotali” is a continuous experimentation with new dimensions form, more and more distorted, asymmetric and exaggerated.